　　Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the stre 　　Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends? The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences: an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to "formalism for its own sake" have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
歡迎在線觀看電影《歐洲的某個地方》，本視頻由泡泡影視www.ybrs.com.cn收集自網絡。如果你喜歡《歐洲的某個地方》，請把它分享給的朋友，有您的支持我們會做的更好。祝親觀影愉快！詳情

主演作品

DVD

歐洲的某個地方

Artúr Somlay,Miklós Gábor,Zsuzsa Bánki

同類型推薦

HD

夾縫人生

楊麗音,洪毓璟,周宜霈,王自強,草爺,梅賢治
HD中字

西北前線

肯尼思·莫爾,勞倫·白考爾,赫伯特·羅姆,維爾弗雷德·海德-懷特,I·S·喬哈爾,厄休拉·杰尼斯,Eugene Deckers,伊恩·亨特,杰克·格威利姆,Govind Raja Ross,Basil Hoskins,S.M. Asgaralli,Sam Chowdhary,穆特里·凱爾索爾,萊昂內爾·莫頓,艾倫·卡思伯森,霍華德·馬里昂-克勞福德
HD

絕命岔路

Kenneth M. Christensen,夏洛特·菲奇,Arian Kashef
HD

我的女兒

斯特凡諾·阿科爾西,吉內維拉·弗蘭切斯科尼,米雪拉·塞尚,托尼,芭芭拉·基耶薩,Loredana Di Martino,Samuel Christian Franzese,Emanuela Fresi,Ilir Jacellari,Milena Mancini,Cristiano Piacenti,比阿特麗斯·普奇利,Veruska Rossi
HD

天怒行動

內詳
HD

生命接力賽

內詳
HD

哈妮心樂章

Selma Dali Pape,加斯帕·克里斯滕森,Sidsel Boel Kruse
HD

皇家飯粵語

李修賢,黃柏文,麥翠嫻,成奎安,林國斌,龍銘恩,王俊棠
HD

花花公子粵語

嘉玲,李月清,謝賢,王偉
HD

放·逐粵語

黃秋生,吳鎮(zhèn)宇,張家輝,任賢齊,何超儀,張耀揚,林雪,任達華,林家棟,張兆輝,陳雅倫,譚炳文,許紹雄
HD

伴我驕陽粵語

秦沛,陳慧珊,馬德鐘
HD

黑白戰(zhàn)場粵語

余文樂,曾志偉,黃伊汶,關秀媚,林雪,陳鍵鋒,張耀揚,廖啟智,黃樹棠,杜汶澤,Chapman,To,吳慶哲

常見問題

1.請問哪個平臺可以在線免費觀看劇情片《歐洲的某個地方》？

優(yōu)酷視頻網友：《歐洲的某個地方》免vip在線觀看地址 www.ybrs.com.cn/dxtv/69864.html

2.《歐洲的某個地方》是什么時候上映/什么時候開播的？

騰訊視頻網友：1948年，詳細日期可以去百度百科查一查。

3.《歐洲的某個地方》主要演員有哪些？

愛奇藝網友：主演Artúr Somlay,Miklós Gábor,Zsuzsa Bánki

4.劇情片《歐洲的某個地方》有多少集？

電影吧網友：現(xiàn)在是全集已完結

5.手機版免費在線點播《歐洲的某個地方》有哪些網站？

手機電影網網友：電影天堂網、神馬電影手機端、神馬電影網

6.《歐洲的某個地方》評價怎么樣？

百度最佳答案：《歐洲的某個地方》評價很好，演員陣容強大，并且演員的演技一直在線，全程無尿點。你也可以登錄百度問答獲得更多評價。

劇情熱播榜

哈利·波特與魔法

類型：劇情，地區(qū)：美國

主演：丹尼爾·雷德克里夫,

歐洲的某個地方

播放地址